Miller puckette biography
- Miller Smith Puckette (born 1959) is the associate director of the Center for Research in Computing and the Arts as well as a professor of music at the.
- Miller Puckette (* 26.
- Miller Puckette obtained a BS in Mathematics from MIT (1980) and Ph. D. in Mathematics from Harvard (1986), winning an NSF graduate fellowship and the Putnam.
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Free open source software:
Pure Data (Pd): documentation; download
Pure Data Repertory Project (PDRP): documentation; download
smeck, the six-channel guitar processor: documentation; download
Fast, high quality peer-to-peer network audio for musicians: quacktrip
Audio tools realized in Pd
Some other ideas for musicians
Books, articles, and videos:
Classes taught at UCSD
Music Department Lecture Series: Voice as Musical Instrument (2019)
Recorded music, research talks, and class lectures with a searchable table of class contents
Book (online or paper): Theory and Techniques of Electronic Music
Rhy by Ed Harkins (DRAFT): HTML; PDF; audio files.
other publications
Biographical note
Past and upcoming events
\Music is in time, but you shouldn't stop and find out, because then you lose the time, because time doesn't exist. -Leif Segerstam, quoted in the New York Times
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Miller Puckette
Miller Puckette (* 26. März1959) ist der Entwickler der beiden Programme Max und Pure Data.
Er entwickelte Max am IRCAM Anfang der 1980er Jahre. Anfänglich war es nur zur Bearbeitung von MIDI-Daten gedacht, es wurde jedoch später das Programm erweitert. David Zicarelli übernahm von Puckette die Programmierung.
Puckette verließ dann das IRCAM und entwickelte ab 1996 das Open-Source-Pendant Pure Data.
Derzeit ist er Associate Director für die Abteilung Music am Center for Research in Computing and the Arts (CRCA) der University of California, San Diego.[1]
2008 wurde Puckette mit dem SEAMUS Lifetime Achievement Award ausgezeichnet.
Weblinks
[Bearbeiten | Quelltext bearbeiten]Einzelnachweise
[Bearbeiten | Quelltext bearbeiten]- ↑Biographical note bei der UCSD
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Miller Puckette
La Biennale di Venezia will present the Silver Lion to Miller Puckette.
In the motivation for the Silver Lion award, Lucia Ronchetti writes: “In recognising the work of Miller Puckette, the Biennale Musica pursues its path of attributing the award to figures on the contemporary music scene who, through their programming, performance and collaboration with composers, have enabled the creation of numerous masterworks during recent decades in the history of music. Max/Msp, created by Miller Puckette at the end of the 1980s, was conceived as an IT environment in which to perform live electronic music, control sound installations, create virtual musical instruments, process sounds in real time in instrumental performance, and generate digital sounds and compositions for computer; it has become one of the programmes most frequently used by composers and performers throughout the world and has influenced the compositional development of the electronic music and real-time sound processing of successive generations of composers. Pure Data allows musicians, visua