Przybylski iggy pop biography
- When Lou Reed and Iggy Pop first met David Bowie in the fall of 1971, Bowie was just another English musician passing through New York City.
- This study examines the concept of romanticism within two widely different musical genres and repertories – that is, the music of Frédéric Chopin.
- "Iggy and the Stooges is an old group from Ann Arbor that was pretty big in Detroit during the early fifties.
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Category Archives: Musicology
The main entrance to the New York Public Library for the Performing Arts’s exhibition Lou Reed: Caught between the twisted stars opens up on Lincoln Plaza, directly adjacent to the The Metropolitan Opera house. On a sunny day, the Met’s angular, august facade reflects light beams that seem lightyears away from the intransigent, transgressive spirit, the championing of misfits, the sardonic humor that the exhibit captures and that Reed’s music embodies. Is there a psychogeographic contradiction between the outside buildings’ shimmering, safe, highbrow sheen and the sounds and images purveyed by the avant-garde prince (or pauper?) of New York proto-punk? If so, it is an incongruity to revel in.
Reed’s music and poetry disrupted reductive divisions between the cultivated and vernacular, the concert hall and the streets, and the transcendent and ephemeral. His sounds rejected the colorful and optimistic 1960s utopian collective, the normative middle-class assumptions that homogenized gender distinctions and human sexuality, and the blind ey
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The Orient in Music - Music of the Orient [Hardcover ed.] 1527502953, 9781527502956
Citation preview
The Orient in Music Music of the Orient
The Orient in Music Music of the Orient Edited by
Małgorzata Grajter
The Orient in Music - Music of the Orient Edited by Małgorzata Grajter Proofreading by Marta Robson, Garry Robson (opublikuj.pl) Note graphics by Izabela Nahajowska This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Małgorzata Grajter and contributors With participation of the Grażyna and Kiejstut Bacewicz Academy of Music in Łódź, Poland
The project was co-funded by the Ministry of Science and Higher Education in Poland
All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior per
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Category Archives: Mass media
The main entrance to the New York Public Library for the Performing Arts’s exhibition Lou Reed: Caught between the twisted stars opens up on Lincoln Plaza, directly adjacent to the The Metropolitan Opera house. On a sunny day, the Met’s angular, august facade reflects light beams that seem lightyears away from the intransigent, transgressive spirit, the championing of misfits, the sardonic humor that the exhibit captures and that Reed’s music embodies. Is there a psychogeographic contradiction between the outside buildings’ shimmering, safe, highbrow sheen and the sounds and images purveyed by the avant-garde prince (or pauper?) of New York proto-punk? If so, it is an incongruity to revel in.
Reed’s music and poetry disrupted reductive divisions between the cultivated and vernacular, the concert hall and the streets, and the transcendent and ephemeral. His sounds rejected the colorful and optimistic 1960s utopian collective, the normative middle-class assumptions that homogenized gender distinctions and human sexuality, and the blind ey
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